30.3.10

Celestial Chaos


Celestial Lights was a live painting and galleria of nine incredible local artists with home grown music DJ sets and a laser light show all put on by Folklore Enterprises and CrackerJax productions up in the loft above Barfly. The party was booming with electronica, techno and dubstep pumping along with laser lights cutting through four fog machines. This extravaganza stimulated every sensory organ to create an out of this world experience.

For this show I was particularly enjoying the act of drip painting because there is less control in my hands and I can allow the universe to meet me half way. While studying in a Pureland Buddhist temple in Japan I truly learned that the self power (Jiriki) is weaker than that of other power (Tariki). I came from a very “headstrong” place and had thought that to surrender my own power was to “throw my power out” when actually surrender allowed for one to be more fully a part of their surroundings and expand ones power through faith and a willingness to let go, let go of attachments and the struggle for results. There is a similar saying in Zen that says we must know when to be strong and turn the dharma (all things) or allow ourselves to be weak and let the dharma carry us. With that being said, let go and give it up!


Thus for the show I painted a number of drip paintings as well create my own Japanese marble wa-shi paper in which I found form. I find it incredibly interesting that in chinese mythology the term "chaos" is often found to describe formless mass before creation. I also produced my 3rd edition dominoes for the show.

During the show "I" painted my 4th edition dominoes in which I had a number of people at the party also contribute by throwing butterflies to contribute to one larger butterfly and thus really emphasize the nature of the butterfly effect and that of Tariki or other power.


I also did a large ink painting which I had a number of party people collaborate on with me. I truly feel that even when "i" create a piece of art that I am not really the sole creator but an instrument for which others create their art through me so thank you to everyone who came out and contributed their expression, their energy and their art.




small: $10USD  Big $40USD


Come out to our next party May 22nd 2010 @ the loft above barfly!


Photos by Nick Patton
2nd Edition Dominoes
1st Edition Dominoes
Domino

11.3.10

How to get rid of a Demon and get a foot in the door.

Every third Thursday of the month the Minneapolis Institute of Arts puts on a party and this last February the MIA also decided to align the opening for their fourth foot in the door exhibition. Foot in the Door is an exhibition that happens every ten years and allows for any artist to show their work in the MIA as long as the piece is no larger than one square foot. This year there is 5,000 some local home grown works which creates a visual experience like nothing you've ever experienced.

I decided for my piece that I wanted something to stick out and with only a week to produce the piece, my choice of mediums were limited. I decided to use chalkboard spray on a panel and draw a demon with various ritualistic markings on its face. I then decided to chant mantras while hammering a bunch of nails into the piece to make the piece appear as if a voodoo doll and "stick out". The neighbors then came over and complained that our "party" was being to loud but somehow when they left we had managed to get a hold of their old Christmas tree to burn. The tree lit up rather fast (with the help of vodka soaked paper-bags) and I got the idea to throw my piece to the flames. I decided at the last minute to pull the piece out and throw it in the snow. The charred remains made for an excellent frame for the pictures of the demon being expunged.

When I was arriving to drop off my piece for the exhibition there was a number of artist's walking the other way telling me it was to late and that the officials were turning down artists despite the panels deadline being several hours later because there was just to many artists and not enough time to catalogue them all. Well I decided to talk to a security guard and ask where I might be able to sneak in and he told me exactly where I shouldn't try because he could lose his job. After I slipped into the right gallery wing I found a line that would take minimally two to three hours to crawl through and I had a yoga class in an hour which I had to make. In my frustration I decided to call my friend in the only place I had reception which was the doorway of the museum. As I was telling him I was unsure of what I was going to do an MAEP official was walking out of the building and took the piece right out of my hands and said "I can take this from you" and I was in.

The opening was an incredible event. We arrived early to avoid the crowd but the place was packed full of people anyways, however when we left there was an equally obnoxious line to enter the exhibition as there was to enter a piece in. There is just so much art to see from children's musings to professional masterpieces. Every time I've been I've noticed new things and have found hidden gems that hide in plain site. Also for this third thursday Lucy Michelle and the Velvet Lappelles played an amazing set that really topped off the night. Unfortunately I did not bring my camera opening night but there are plenty of pictures on the MIA's website The show runs until June 13th but I would make sure to leave yourself plenty of room to visit a couple of times and see what strikes you next!

17.2.10

Does a Dog MU?

In this Zen Koan a monk asks Chao-Chou, "Does a dog have Buddha nature?"
and Chao Chao replied "Mu"
Which means no, nothing or emptiness.

Does a Dog Have Buddha Nature?

                          Can Tantric Buddhism really be considered Buddhism? The Buddha taught that life is suffering stemmed from desire (although further defined that anxiety is the seed of desire) and that to alleviate suffering one must cease desire by non-attraction, aversion and even ignorance. This is called the sutra path and one of two paths that the Buddha taught. The other path is called the Tantra, Mantra, or the Vajrayana path which is homeopathic to desire in that the antidote to a snakes poison is snake’s venom, a thorn can be removed by a thorn, a burn can be healed by a burn and ordinary desire can be transformed into sublime desire. Both paths which appear to be radically opposed to each other reach the same wisdom through different means of rejection to the existing societal structures.

                          The sutra path is exoteric and thus the primary Buddhism practiced by the laity consensus. This path is otherwise known as the perfection of wisdom. This wisdom is obtained by a lengthy and gradual training in generosity, morality, forbearance, perseverance, and meditative concentration. The practitioner of the sutra path can thus renounce desire and the world through the Buddhist ideal and concept of emptiness.

                          The Tantric path is geared for those whom have greater difficulty to renounce the world yet possess great compassion and sharp faculties to not be deluded by attachment to samsara. Tantra most commonly purifies the mind in stages so that the practitioner can experience and understand their consciousness. The Vajrayana path utilizes magical ritualistic meditating techniques which greatly accelerates the practice and develops the same virtues and knowledge of the sutra path. The mantra path pinnacles in the instantaneous practice otherwise known as the “great seal” or Mahamudra. The initial stages of the great seal consists in dissolving ordinary perception into the perception of emptiness whereas the “completion stage” or “great seal”, cognizes the ultimate nature of mind itself and ceases perception of the ideation so that the luminosity of mind appears and the mind can be aware of its own emptiness. Tantra is thus much more than ritualistic techniques, but in fact acts as a meditative discharge of insights developed within the Mahayana philosophical tradition.

                          Both paths lead to the same wisdom. This is the middle course between the conventional and ultimate truths. That is the middle way between everything consisting of an inherent existence and the nihilism which denies phenomenon’s causal relations.  Thus we find an emptiness of inherent existence which makes dependent origination possible. The conventional truth of appearances and the ultimate truth of emptiness can then be simultaneously comprehended. With no difference in the profundity of the highest wisdom between Sutra and Tantra, the superiority of the Tantric vehicle resides in the method.

                          The Tantric path reaches realization through yogic discipline of the mind. The Vajrayana yokes the creative powers of the mind by stimulating and then harnessing desire to use in focusing the five senses and aggregates (form, conception, volition, perception, and consciousness) with the mandala of the Buddha-mind. Man as the Mandala, is a microcosm of the macrocosm. Man and the world become fundamentally identical and thus sexuality, as ones of the world’s main driving forces, is reintegrated. This mastery of mind, emotions, sexual energy, mental and physical bodies, all act as an inner yoga to bliss. The spiritual body turns passions and lust into a divine love. The completion process finds that man’s essential nature is of bliss and not of conceptual thought but a basic state in which winds traverse the nadis channels and are sealed by mind-body with the consort.

                          Human beings experience their bodies and their sexuality in many different ways which can be a vivid abuse of desire or a sensual religious experience. Desire can act as an offering to enlightenment where the blissful mind sees the true nature of things and can offer and receive without attachment. Integrating the two truths, the yin and the yang, the womb and diamond, can be expressed as a sexual union of the god or Buddha with his female consort representing his energy. Sakti, or Kundalini energy, is a feminine serpentine energy which is coiled around the base of the spine. Usually sleeping, this energy can be awakened to traverse  the nadis channels and rise up the spinal column to the Ajna Cakra behind the center of the eyebrows and even fly beyond the body for the heavens. The energy is pumped up into the sky by winds produced with Tantric rites such as pounding Mantras (chants) with repeated utterances and breathing techniques which often involve the five normally forbidden ritual substances of liquor, meat, fish, seminal fluids and the self. The Yaksini or practitioner gives the body as a sacrifice of food for the Goddess and liberated of a suffering existence the bonds are broken and the soul joins in union with the Sakti to fly. 

                         Sexuality has a great capacity to offend however through boldly defying the social norms there is salvation to be found. Tantra is not a degeneration of Buddhism influenced by persuasion of a corrupting culture but rather a highly philosophical and ritual synthesis geared to realize the notion of the two truths and alleviate suffering by transforming desire through the most efficient expedient means possible. By placing desire in the service of liberation rather than sacrificing the world for liberations sake, desire is reinstated with the perspective of salvation which implies a certain disposition of the Tantric practitioners relationship with the cosmos as integrated within an all-embracing system of micro-macro cosmic correlations. Tantric Buddhism is thus really Buddhism and not a completely autonomous system that replaces and surpasses all that has come before but truly acts as a supplement to the traditional path of Buddhism.
                           
However be for-warned,
 for when you begin to focus on something,
that something eventually begins to focus on you.
                         



                                                                        References
Newman, John, Vajrayoga in Kalacakra Tantra
Faure, Bernard Japanese Tantra, the Tachikawa-ryu and Ryobu Shinto
Lopez, Donald S. Jr. Meditation on Emptiness
White, David Gordon. Kiss of the Yogini
White, David Gordon.  Tantra in Practice 



Matted to standard frame size 11"X14" .    $15USD + shipping

14.1.10

A Collaboration



Christopher Lyle and I began our collaborative efforts at Chris's studio in MCAD at the very exciting time of graduation for some, and a finished semester for many. After seeing an exhibit of the latest and greatest senior shows (and some of the most inexplicable) we began making a series of drip paintings. Before we had the opportunity to draw on the pieces we had to let them dry and thus we stepped outside and walked into a giant party train and partied the night away. We decided that we would split up the drip paintings and finish them separately.


We found out very quickly that our combined effort and meshed styles could produce more beautiful art than either of us could produce on our own, twice as fast.








11X14 solos w/ standard matte:30USD Framed:40USD
36X27 The Call of the Caterpillar Framed: 250USD
40X36 Flying With the Fishes Framed: 350USD 
37X29 Dragon Framed: 350USD

2.1.10

Juicy Zen; The Year of the Tiger



Having returned from the monasteries of Japan I decided to reintroduce myself to the Zen community of Minnesota by swinging through the Zen Center of Minneapolis and attend the group meeting called "beginners mind". Coincidently my first meeting back to the group was our Sensei's last meeting hosting the group. I had received an e-mail from someone in the Sangha saying that we should give Ted Tuel something back, something which he gave us.One of the greatest gifts Ted gave me was a Zen Parable. In this parable a man is found hanging on to a vine off the side of a cliff with a tiger waiting above him, and a tiger waiting below. Certain death was to be found in all directions and yet the man notices a strawberry growing off the cliff face and has the juiciest, sweetest, tastiest meal of his entire life.

Thus I painted Ted a strawberry (with the Kanji for Tiger) and told him that Beginners mind was my strawberry, that relaxing moment of bliss which triumphs even the face of death. Although really I now find all things to be just that strawberry. There are incredible treasures to be found in every moment, no matter how perilous, hopeless, or even mundane the situation is and these treasures are in fact the best treasures of them all. All one needs to do is open there eyes, be aware, and enjoy the present moment.


Now we are in the Year 2010, the year of the tiger. With 2012 just around the corner, I say let us make this the sweetest, juiciest, tastiest year of them all!!! Celebrate the new year with a juicy reminder that there is treasure in every moment, or remind someone else that they are your strawberry.


Juicy Zen comes matted to your standard frame sizes and sealed in plastic. $15USD + shipping.
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6.12.09

Continual Chaos






I initially painted my original Domino painting as a response to one of my colleagues claim that the only art relevant to the human condition was pure expressionism. At the time I was painting ink butterflies as a study on chaos theory, that is when a butterfly flaps its wings it may cause hurricanes on the other side of the globe. I came to realize that one can live life like nothing is relevant or like everything is relevant. The butterfly effect is an expression of interdependent arising, an expression of oneness.
In a continuation of my studies on chaos theory I painted Dominos utilizing a plastic butterfly that I had found among many other
ground scores cleaning up after a festival. I found that I could throw the butterfly at the paper in a chaotic fashion and than chop the painting up to give the illusion of separate paintings. I used the Dominos as gifts for the people of Japan.









My second edition Dominos are painted by throwing butterflies and dropping Japanese maple leaves. I've came to realize that butterflies are a symbol of wind and more than anything a symbol of change, as are the leaves turning and falling.

"When you see one leaf falling, you may say, Oh, autumn is here! One leaf is not just one leaf; it means the whole autumn.
Here you already understand the all-pervading power of your practice.
Your practice covers everything."- Shunryu Suzuki



Happiness arises from those who have experienced life and learned to bear its ills without being
overcome by them. Paradoxically enough, only in growth, reform and change, is true security to be found. In turning a new leaf in my life, I now strive not to remake myself completely, but truly make the best of what I've been given.

Showing their backs,
Their fronts,
Falling maple leaves.
-Ryokan


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For a full catalogue. e-mail me at gilligone@gmail.com