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When staying in a shingon temple atop of Mt, Koyusan I had the opportunity to be guided through this graveyard and led through the Ajikan Moon Disc Meditation. Shingon meditation activates visual references such as mandalas by empowering them with mantras to harmonize the voice mind with the visual embodiment.
The Ajikan meditation consists of approaching an image of the moon and performing three prostrations followed by sitting and viewing the moon with a relaxed gaze. One than can chant "Ah Vi Ra Un Ka" 100 times to stimulate the cakra body. Following this should follow 100 homage mantras to ones guru or god and than begin chanting the seed syllable "Ah"Ah is the empty, free, eternal ah-ha. After a short period the meditator closes their eyes and continues to envision the moon in their internal vision, opening their eyes as much as one needs until able to sustain the vision.
Transforming the disc into a tiny sphere, we take the sphere into our heart center and begin breathing into it as it slowly begins to encompass all of our organs and eventually our bodies. Than allowing the ball to encompass our neighbors without judgements, we continue then to expand to the size of our building, city, state and eventually the entire world, moon, stars, galaxies until all is one within. Exit the meditation with a rapid reverse and don't forget your final prostrations!
Want more? Here's a link to a mandala of the Shingon cosmology!
And here's art on the Bardo Thodol or Land of the Dead
And the lord of the dead
As in life, art is a space of unlimited and often unpredictable possibilities. When one approaches art with open spontaneity and drops the self-conscious analytical mind they allow for the natural rhythms of life to manifest in their work. By allowing the strokes of a brush to dance freely the artist may find an effortless effort which allows for their true self to create itself through the quietude of intuitive knowledge. The allowance required to let go begins with an embrace of the entire life of spirit which far transcends artistic skill into the art of the soul. The process of discovery is not knowing the outcome but being open to change and seeing new possibilities which require leaving behind preconceptions of form. In essence, one must sense what they did not know they knew. This is the transition from becoming to being, intuition to realization, a trust and receptivity which allows the idea to reveal itself.
To illustrate chance and more specifically to the nature of taking risks I chose to print a sword swallowing Jack. Taking risks is opening yourself up to change, accepting the possible outcomes and to try. Taking a risk is a practice of faith that demonstrates your trust and willingness to overcome obstacles such as fear of rejection, failure and a need for approval. Risk taking allows release from the isolating box of over dependent certainty. A very karmic coincidental occurrence happened during my class critique and that was that our own class magician Patrick Burke had printed an Ace and together we had blackjack. I hope this piece can encourage you daily, to take a chance.
Singles:$21 Double Composition:$30
For more art on the nature of chance and risks check out this link!!